An Exploratory Study of the Creative Product in a Community-based Art Installation: Evaluating Creativity and Sense of Place

By:
Marlo Ransdell
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A community-based art installation (CBAI) held in a city recognized for its horse culture, was used to explore creativity and place-making. The CBAI under study consisted of 126 artistically reinterpreted doors originating from a recently demolished housing project on a historic site. A panel of 3 judges sorted photographs of the art doors into categories identified as African American, decorative, equestrian, landscape, or three-dimensional. A second group of twelve judges evaluated models of 40 randomly selected doors on creativity and sense of place dimensions defined as originality, authenticity, uniqueness, significance, and authorship (Kwon, 1998; 2002). The inter-rater reliability of the judging process reached 0.84. The findings showed the African American, decorative, landscape, and three-dimensional doors were viewed as significantly more creative than those doors with an equestrian theme (F (4,94) = 4.22, p < .05). A significant relationship was found between sense of place and creativity (r = .59, p < .05). Specifically, creativity significantly related to place-making dimensions of originality (r = .67, p < .05), authenticity (r = .59, p < .05), uniqueness (r = .63, p < .05), and significance (r = .39, p < .05), but not authorship (r = -.06, n.s.). Themed art that interpreted sense of place beyond the familiar iconography of the city was evaluated as significantly more creative than the art that did not. Implications from the study underscore the importance of synthesizing novelty and appropriateness into site specific, creative products.


Keywords: Creativity, Sense of Place, Art, Local Culture, Qualitative, Quantitaive
Stream: Anthropology, Archaeology, Cultural Studies, Humanities
Presentation Type: Virtual Presentation in English
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Marlo Ransdell

Faculty, Department of Interior Design, Florida State University
Tallahassee, Florida, USA


Ref: I07P0849